Like the crows settling in the branches of the cottonwoods, Geraldine Brussel found her place in the Bernalillo bosque. Her flight followed a wandering path over the decades begun as a teenager fixated by a Rembrandt painting in a New York City museum. Fine-art training in the 1960s launched trips to European cathedrals to study medieval stained glass, a return trip to Italy focused on sculpture, and eventually a loft studio in the Soho district of New York City. In the vibrant art scene she branched out into acting and creating stage sets.



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